![]() ![]() I like the photo still very much but I no longer show the old version because I now place higher demands on my pictures. This motif was one of the first photographs I placed in an exhibition, taken on Februwith my first digital camera. Nach der Entwicklung in CameraRAW habe ich sie mit Photoshop, Viveza und Perfect efex bearbeitet. Nun habe ich die alte Datei noch mal herausgekramt und mittels Photoshop Bridge in CameraRAW geöffnet. Leider habe ich zu dieser Zeit noch nicht im RAW-Format fotografiert, sondern das jpeg mit Photoshop elements bearbeitet. Die Aufnahme ist mir sehr ans Herz gewachsen, allerdings zeige ich die alte Version nicht mehr, weil ich inzwischen höhere Ansprüche an meine Bilder stelle. HMM, Everyone, and have a nice week ahead!ĭieses Motiv war eine der ersten Fotografien, die ich ausgestellt habe, entstanden am 12. Processed in DXO PL6, Color Efex, and Viveza. The bokeh in the lower right corner is the golden crown itself. Which had to do, because I was running out of time. So I simply placed the crown in front of it, illuminated the glass with a single LED light so the rainbow colour coating would work its irresistible iridescent magic on the crown's reflection, and took a single handheld shot. Seen at the right angle (light from above aka sunshine works best) it lets the dial shimmer in lovely pastel rainbow colours. OK, so let's skip my unsuccessful attempt at trying to make sense of an image that doesn't make any sense and get to the technicalities: The glass of this watch is double-coated (on the outside and on the inside). Except maybe for the fact that a tiny crown is reflected in the glass of a digital watch that doesn't have a crown, only pushers. But does this image make any sense? I don't think so. At the end (which means today) a tiny, shiny miniature crown that once graced a pencil bought at the museum shop of the Deutsches Historisches Museum (I've already used this crown in another photo which you can find in the first comment) and another watch (a Casio which you might have already guessed) came to the rescue. I didn't want to skip "High Key", because it is pretty much out of my comfort zone so I wanted to meet this challenge. Late in the game again with a photo that is a pure act of desperation. Trabajada con LR5, Viveza y Color Effex Pro. Trabajé sobre el contraste de la superficie del agua, y apliqué selectivamente un graduado amarillo (como en un 30%) excluyendo la boya blanca, que es clave para el equilibrio de la composición. Para conseguir los colores de la escena incrementé ligeramente el contraste dinámico y desturé el verde del prado, que destacaba en la foto mucho más que en la realidad. Me encanta la estética de los ochos entrelazados en una regata remando tan juntos, lanzados a través del campo de regatas. ![]() Worked with LR5, Viveza and Color Effex Pro. I worked on the contrast of the water surface, and selectively applied a yellow graduated filter to it, in a moderate percentage (like 30%) and exluding the white buoy on the right, which is essential to balance the composition. Let me note that to get these colors I've just increased slightly the dynamic contrast, bleaching the garish green of the grass, which was much more preeminent in the picture than in reality. I definitely love the aesthetics of the eights interleaved in a race sweepeing so close, darting throuhgh the race course. ![]()
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